Convert Existing Film to Ultra HD
With consumers purchasing large Ultra HD televisions in massive quantities right now, the demand for great Ultra HD content has never been greater and will become a boom market in the next few years. Ultra HD is incredible quality and there are millions of hours of Ultra HD content that’s been generated over the last 100 years locked up in 35mm film that is stored in vaults worldwide! The new Cintel scanner will scan negative and positive 35mm film into amazing quality Ultra HD and you can unlock the extra resolution from 35mm film that no one has been able to see until now! 35mm film is natively 4K so the extra quality is already in the film. There is no easier way to generate Ultra HD feature films and television programming for customers to view on their new large screen televisions!
Renowned Cintel Quality
The Cintel Film Scanner features a super bright spherical RGB LED illumination and an extremely sensitive imaging sensor. That means you get high quality scans that are super sharp even when running at full real time speed. The spherical RGB LED illumination ensures your priceless film is never exposed to unnecessary thermal stress and color fading effects of traditional scanner lamps. In addition, Cintel’s patented diffusing sphere technology reduces the visibility of dust and scratches, giving you stunningly beautiful film scans every time.
The Cintel Scanner is a complete solution to realtime film scanning and grading that features precision mechanical film handling components, optics, a high intensity diffuse light source and a built in camera. The Cintel Scanner includes a 35mm film gate, film spools, a set of four cleaning rollers, desk mount feet and DaVinci Resolve 12 Studio software. Cintel transfers film directly to DaVinci Resolve which gives you the power to edit film rolls back together, scans to be color graded, reframed, noise reduced and audio extracted. Using DaVinci Resolve to operate the scanner means you have much more creative control than a simple telecine because DaVinci Resolve has many more features than is possible to do in hardware.
Print, Negative, Interpositive, Internegative.
Mono and Color.
35mm (2, 3, 4 perforations) Super 35mm (2, 3, 4 perforations)
16mm, Super 16mm
4096 x 3072
3840 x 2880 – Super 35
3390 x 2864 – Standard 35
3390 x 2465 – Anamorphic 35
1903 x 1143 – Super 16
1581 x 1154 – Standard 16
3840 x 2160 Ultra HD
1920 x 1080 HD
(Auto selected to match monitor resolution)
Extraction from scanned image.
Dirt and Scratch Reduction
Diffuse light sources. Cleaning rollers.
Wall Mount. Desk Mount (with included stand)
1 – 30 fps
1 – 100 fps (35mm)
1 – 200 fps (16mm)
5 – 30 fps/s
Film Shrinkage Tolerance
Up to 2 % guaranteed, more may be possible if user care is taken.
HDMI Video Output
1 x HDMI 1.4 10-bit 4:2:2 for preview purposes only.
Thunderbolt 2 port for capture of image and audio.
Programmable sync output.
Balanced line level Analog Audio in
AES Digital Audio in